Bhutan: Land of Druk Yul Photo Expedition

Bhutan: Land of Druk Yul Photo Expedition

Due to a last minute cancellation caused by a personal change in circumstances, the Bhutan: Land of Druk Yul Photo Expedition currently has room for only one participant. The dates of the photo~expedition are from September 23 to October 7, 2009.

If you're interested, click on the photo~expedition link, review the terms and itinerary and register at the earliest if it works for you. This opportunity will only be available until July 16.

Kolkata's Cult of Durga: New 2011 Photo Expedition

Kolkata's Cult of Durga: New 2011 Photo Expedition

I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

Teaser

Teaser

Yep...we're on a roll. All this will be announced soon on this blog, and via newsletter. Hold your breaths!

POV: Photo-Workshops Are Useful, But....

POV: Photo-Workshops Are Useful, But....

Photo © Tewfic El-Sawy-All Rights Reserved

Scott Bourne, who publishes and writes Photofocus since 1998, has posted an article on photo workshops titled Don't Listen To The Trolls in which he encourages people to attend workshops led by photographers who have work they find inspiring...an encouragement that is both reasonable and logical.

However, let's take this a step or two further because, simply put, there are photographers who market their workshops (and there are many these days) whose work may be phenomenally beautiful and inspiring, but who are unable to lead, who can't/won't teach and are unable/unwilling to share. It's simply not enough that the photographer's work is good...not at all. There are many more factors that come to play in one's decision in choosing a photo workshop.

Obviously, the price of the workshop is one of the first determinants. Celebrity photographers command a hefty premium, and while some are worth it, others are not. In the case of travel photography workshop, I've come across workshops of 10 days starting at $8000, excluding international travel costs and meals. Knowing full well that the real costs of these workshops are in the range of $2000-2500 tells me that the profit margins for such photographers may be in the $5000-6000 range...per participant.

Many believe (or hope) that taking part in such high-priced workshops is worth the price because of the technical knowledge acquired; because of the bragging rights from rubbing shoulders with the famous photographers, and because the quality of their "during and after workshop" image inventory will justify the expenditure.

Maybe. Maybe not.

On the other hand, let's be cautious and do our homework (what bankers and business people call due diligence) by eliminating as many uncertainties as possible before shelling out thousands of dollars. Ask for references and opinions from previous attendees, compare workshops' details to one another, compare itineraries if these are travel photography workshops, ask who really leads the workshop: the photographer or assistants (trust me...the higher up the totem pole the photographer is the more assistants there will be...and the less you'll see of the photographer), figure out how much individual face time the participants will have with the photographer, who responds to your email and/or calls, who created the itinerary if it's a travel photography workshop, is it in a well-trodden tourist circuit or it an off-the-beaten path itinerary, how many participants in the workshop...and lastly what percentage of clients are repeaters.  And let's throw this in as well: if the workshop is marketed by a company because the hot-shot photographer is too busy to do it, that company will get a big bite off the price tag....and naturally you end up paying for it.

Personally, if I wanted to go on a workshop I'd rather go with a grunt...not a celebrity/famous photographer. I'd want to be taught rather than patronized...I wouldn't like being palmed off to an assistant nor do I want to be intimidated. I'd rather be given a candid assessment of my abilities and limitations in plain simple English rather than in a mealy-mouthed babble ....and finally, I want to enjoy myself.

But that's me.

(Photograph made at the Wangdicholing Monastery, Jakar, Bhutan)

Alia Refaat: Bali Island of Odalan

Alia Refaat: Bali Island of Odalan

Photo © Alia Refaat-All Rights Reserved

Here are work samples from Alia Refaat, the final participant in the Bali: Island of Odalan Photo~Expedition ™ . It is Alia's second travel photography expedition, and she plans a series of exhibitions in Cairo of her photographs.

Alia is a commercial photographer from Cairo, Egypt. Alia studied Mass Communications, and trained at Spéos Paris in commercial, portrait and studio photography.

The above photograph is of Balinese devotees returning from the ocean having purified their temple's deities. The all day ceremony was performed near the famous temple of Goah Lawah.

Photo © Alia Refaat-All Rights Reserved

The above intriguing photograph is of Balinese playing Kocokan. This is a sort of roulette in which the players put some money on a vinyl mat decorated with six different pictures of cartoon version of Hindu gods, demons or animals. Surprisingly, this gambling is allowed during a temple odalan.

Photo © Alia Refaat-All Rights Reserved

Cremations are one of the most sacred events in Balinese culture. In this photography, Alia was quick to notice the rather macabre juxtaposing of the body's exhumation and the t-shirt worn by one of the cremation's attendees.

My Work: Traversing The Kachchh Part Two

My Work: Traversing The Kachchh Part Two

I've uploaded around two dozen of new photographs unto a still gallery titled Traversing The Kachchh Part Two. These photographs were made during my Tribes of South Rajasthan & Kutch Photo~Expedition ™ earlier this year.

As the title suggests, this is the second of my still galleries of photographs made in that area; the first was Traversing The Kachchh.

Both galleries are precursors to my forthcoming photo-expedition In Search of Gujarat's Sufis to south Gujarat and the Kutch.

The In Search of Sufis Photo~Expedition ™ was sold out a week or so from its being announced.

Cathy Scholl: Tribes of Rajasthan & Gujarat

Cathy Scholl: Tribes of Rajasthan & Gujarat

Photo © Cathy Scholl-All Rights Reserved

Cathy Scholl is a photographer and a participant in my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place earlier this year between January 23 and February 7, 2010. She has traveled to India no less than 13 times, as well as to Nepal, Bhutan, and Burma.

Her photographs were exhibited in galleries throughout Southern California. In addition to winning awards, her work was selected to hang in juried exhibitions curated by leading experts in the field of photography, such as Arthur Ollman, founding director of the Museum of Photographic Arts, San Diego.Cathy is also an active member in the Burn magazine community, which is curated by David Alan Harvey

Photo © Cathy Scholl -All Rights Reserved

Following her participation in my photo~expedition, Cathy continued to Haridwar where she also photographed at the Kumbh Mela. I chose these photographs made during the photo~expedition from her blog More Than Just A Pretty Picture...an appropriate title as Cathy's style is more inclined towards documentary travel photography, and she eschews cookie-cutter travel photographs.

Photo © Cathy Scholl -All Rights Reserved

The top photograph is of a Gujarati villager and her child, made in one of the countless villages we visited during the photo~expedition. The middle photograph was made in Baneshwar, during a pind daan ceremony which extends for about a week, and during which the tribal people of Rajasthan and Gujarat come to remember their dead....notice how Cathy framed the characters in this photograph.

The third photograph was made in a grain distribution room in the village of Poshina, where tribals and villagers receive their subsidized rations. 

POV: My Photo~Expeditions: Verdicts

POV: My Photo~Expeditions: Verdicts

Wade Laube is a photo editor, a photographer and an opinionated ranter (the two last descriptions make him a "my-kind-of-guy"), and he's penned an interesting post on his blog titled Buyer Beware of the Dodgy Workshop.

He says this:

"The travel industry has offered photography-themed holidays for years. Hobbyists spend their annual leave somewhere picturesque, get expert tuition and access to expensive gear they wouldn’t normally, while the organisers make some money and everyone’s happy. But what aboveboard entrepreneurs started, parasites are mimicking."

And I couldn't agree more. Caveat Emptor is the rule here. I would also add that great photographers are not necessarily great travel photography workshop teachers and/or leaders. Some are and others are not.

Once again, here's Wade's wisdom:

"Ultimately what you need to ask yourself is whether you are purchasing a valuable educational experience. Are you just paying for the brand-value of a big name photographer and getting little more?"

Having one of the highest number of "repeaters" (returning participants) in the business is a fillip that I wear with great pride, and as one of the few in this business who's decided to reduce the number of expedition participants to a maximum of 5, I thought it useful to once again feature the verdicts of my past photo~expeditions as follows:

Bali: Island of Odalan Photo~Expedition

Tribes of Rajasthan & Gujarat 2010 Photo~Expedition

Bhutan Photo~Expedition 2009

Morocco-Gnawa Festival Photo Expedition 2009

Theyyam of Malabar Photo~Expedition 2009

Chris Schaefer: Bali Island of Odalan

Chris Schaefer: Bali Island of Odalan

Photo © Chris Schaefer -All Rights Reserved
Chris Schaefer is a first time participant in my photo~expeditions, and is the fifth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Chris is an attorney, and when asked to describe himself for this post, wrote that he "likes to travel to far away places with professional photographers and hopes for a quality photo now and then. He is educated in nothing related to photography, but enjoys snapping the shutter and seeing what happens."

Having seen the results of his "snapping" as he calls it, I think he did extremely well and surpassed his expectations of having a quality picture now and then.

The above photograph is that of a traditional procession on Masceti beach on the Balinese eastern coast during a melasti ceremony. Melasti is the purification of the Pratima deity and other symbols at a beach, and is a fundamental ritual during a temple's anniversary.

Photo © Chris Schaefer -All Rights Reserved
The second of Chris' photographs is of a Legong dancer at the Ubud Palace during a performance. The performance included various dances, such as the Gabor, Baris, Kraton ad the Taruna Jaya. The Legong dance is characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. This dancer in particular used her eyes to convey emotions extremely well.

Photo © Chris Schaefer -All Rights Reserved
The third of Chris' photographs was made at the holiest of Bali's religious sites: Pura Tirta Empul, whose sacred spring is said to have curative properties. The tradition has continued unchanged at the temple for a thousand years. This photograph shows how the Balinese place canang (offerings) at the spouts of the springs.

Bo Jungner: Bali Island of Odalan

Bo Jungner: Bali Island of Odalan

Photo © Bo Jungner -All Rights Reserved
Bo Jungner is a first time participant in my photo~expeditions, and is the fourth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Bo holds a MSc in Business Administration and Economics from the Stockholm School of Economics and works for a Swedish-based private equity company. He's also a photography enthusiast who joined my group whilst in Bali with his family.

When I first saw the above photograph of a Rejang dancer adjusting her headgear during a melasti ceremony, I told Bo that it was my favorite I had seen from his portfolio. I still think it is.

Photo © Bo Jungner -All Rights Reserved
The second photograph may repel some of the viewers, but washing skeletons is what happens during the exhumation which precedes a cremation in Bali. The whole event is a joyous one for the Balinese as the cremation of the body leads to the release of the soul, and brings final closure to the families. We were photographing in a small village in the Gianyar Regency, and spent some 6-7 hours shooting non-stop under a merciless sun. It was one of the most intense photo shoots during the expedition.

Photo © Bo Jungner -All Rights Reserved
This photograph is of a group of young Rejang dancers during a pre-cremation ceremony at a private house. We were welcomed, and feted like old friends by the family of the deceased, and welcomed by the whole neighborhood. The first dancer was really very comfortable with the cameras, and posed for us very professionally despite her young age.

Photo © Bo Jungner -All Rights Reserved
Here Bo photographed the preparation for a cockfight which was to take place on a beach during a temple odalan. Normally, cockfights in Bali are illegal unless these are connected to temple ceremonies.

Sandy Chandler: Bali Island of Odalan

Sandy Chandler: Bali Island of Odalan

Photo © Sandra Chandler -All Rights Reserved
A third-time participant in my photo-expeditions (The Gnawa in Morocco, Tribes of Rajasthan & Gujarat, and Bali Island of Odalan), Sandra Chandler is a photographer and interior designer based in San Francisco. She tells us that color, smells and sounds drew her to world travel. Her city's Asian culture first enticed her to China in 1978 when the People’s Republic first opened. She then continued her exploration of Asia by traveling to Bhutan, India, Japan, Singapore, Nepal, Thailand, Tibet, and on to South America and Europe.

The above photograph was made at one of the many odalan anniversary celebrations in Bali during our trip. The musicians play traditional instruments such as the gamelan, and are called upon to perform at many functions, including weddings and cremations.

Photo © Sandra Chandler -All Rights Reserved
The above photograph was made during the Legong dance perfomance at the Ubud Place, and is of the Baris. The Baris is a traditional war dance of the island, in which a male dancer depicts the feelings of a young warrior prior to battle.

Photo © Sandra Chandler -All Rights Reserved
This photograph was made at an odalan held in a forest setting, near the village of Birta. Here, female pemangku are surrounded by incense (known as dupa) smoke used to appease the spirits and accompany offerings at all temple ceremonies.

Photo © Sandra Chandler -All Rights Reserved
The adorable grand-daughter of a wayang kulit (shadow puppet master) was a willing subject for Sandy's lens. We spent about 3 hours at the home of I Wayan Martha, the shadow puppeteer, in Sukawati where he and his assistants gave us a private performance of this traditional Javanese/Balinese tradition.

Sandy also published a book ‘Carnevale, Fantasy of Venice' of her beautiful photographs of Venice and its magical Carnevale.

Rose Schierl: Bali Island of Odalan

Rose Schierl: Bali Island of Odalan

Photo © Rose Schierl-All Rights Reserved
Here's the work of Rose Schierl; the second participant of the Bali: Island of Odalan Photo~Expedition ™ to send images to post on this blog.

Rose has been photographing since 2005, and only gone digital two years ago. She hasn't gone through any formal photographic education per se, but attended various short workshops, and those set by Arizona Highways. Rose won an award at a juried show for one of her photographs in 2009. She's also an accomplished diver, and before the photo expedition was on a diving vacation for a couple of days in the north-west of the island.

So far, it appears the fire-walkers at the end of the Kecak dance performance we attended in Ubud was a favorite subject for the group members. Rose managed to capture one of them kicking a blast of glowing embers (above).

Photo © Rose Schierl-All Rights Reserved
One of the shoots I organized during the photo-expedition was at the house of a wayang kulit (shadow puppet) master, where we were treated to a private performance The wayang kulit is an extremely important vehicle of culture, serving as carrier of myth, morality play, and form of religious experience rolled into one. Here, the master is moving one of his shadow puppets during the performance.

Photo © Rose Schierl-All Rights Reserved
Here's a Balinese villager who was attending a night odalan in Bitra village. The temple anniversary was one of the most interesting we've been to during the 2 weeks photo-expedition. Not only did it involve the requisite day-time religious prayers and offering in an exquisite forest setting, but it included performances of Barong and Arja dances.

Photo © Rose Schierl-All Rights Reserved
Rose captured a dancer during an evening Legong performance at Ubud's palace. The performance included various dances, such as the Gabor, Baris, Kraton and the Taruna Jaya.

Kim McClellan: Bali Island of Odalan

Kim McClellan: Bali Island of Odalan

Photo © Kim McClellan -All Rights Reserved
Kim McClellan is a third-time repeat participant in my photo~expeditions, having joined Bhutan: Land of Druk Yul Photo~Expedition ™ in October 2009, and the The Tribes of Rajasthan & Gujarat Photo~Expedition ™ in January 2010 before returning with a trove of images from the Bali: Island of Odalan Photo~Expedition ™ last week.

Photo © Kim McClellan -All Rights Reserved
Kim is a professional photographer (as well as working for the SBA in DC), and graduated from the Washington School of Photography in January 2001. She's passionate about international travel photography, and her work was featured in juried exhibitions and shows in the Washington DC Metro Area. She's well-known for her work in fashion, glamor, and classical figures.

Photo © Kim McClellan -All Rights Reserved
During the Bali photo-expedition, Kim worked on transitioning from the more staged style of glamor photography to the more fluid style of travel-photojournalism, which is the core objective of my photo workshops. Her photographs here demonstrate her progress in that transitioning.

Photo © Kim McClellan -All Rights Reserved
The first photograph was made during a private ceremony preceding a cremation. Cremations in Bali are occasions for gaiety and not for mourning, since it represents the ceremonial burning of the dead to liberate their souls to be free for reincarnation into better beings.

The second was made at the holy temple of Pura Ulun Danu Bratan, which is a major water temple on Bali, and one that protects Bali from evil spirits from the north west. and where constant ceremonies were being conducted when we were there.

The third is of a melasti on a beach on Bali's north east shores. Melasti is an important purification ceremony when temple devotees in Bali go to its beaches, carrying their temple effigies and where the cleansing rituals occur.

The fourth photograph was made during a Kecak & Kris Trance dance in Ubud, and shows one of the dancers in a trance walking barefoot on glowing embers.

Bali Photo~Expedition™: Two Weeks To Go!

Bali Photo~Expedition™: Two Weeks To Go!

Photo © Tewfic El-Sawy-All Rights Reserved
I've started to think about gear packing for the forthcoming Bali: Island of Odalan Photo~Expedition™, which is to start on August 1.

A brief stop-over in London, then it's a grueling 16 hours aggregate flight time from Heathrow to Bangkok, and onwards to Denpasar to reach it on July 28. This will give me a couple of days for a personal project, and to meet the rest of the participants.

I am tempted to ditch my preferred combination of the Domke shoulder bag and a non-name messenger bag in favor of my older Lowepro backpack. The reason? I want to take my old workhorse of a camera: the Canon 1D Mark II along with the 5D Mark II, as well as my Panasonic GF1. Also included are my whole panoply of lenses; the 70-200 2.8 IS, the 28-70 2.8. the 17-40 4.0 and the 24 1.4, a ATR6250 Stereo Condenser mic and my Marantz audio recorder, and a couple of hard drives to keep my Macbook Pro 13" company.

And if the winds blow in the right way, I may even get a Holga to photograph some of the odalan ceremonies, emulating my friend John Stanmeyer's Island of Spirits.

That's a lot of gear, and I can't fit all that in the Domke-Messenger bag combo I often use. My shoulders will complain, my back will be sore....but I have to have that amount of gear with me. When will I have the guts to rely solely on the Panasonic GF1 with a couple of lightweight lenses? Probably when my shoulders cave in...that's when.

So over the coming week, I will try out various packing permutations to determine which one I'll use. Only then will I decide what to pack in terms of clothes...and if I don't the time for that, ah well...Bali is sarong-country!

The Travel Photographer: Updated Website

The Travel Photographer: Updated Website

I updated The Travel Photographer website with a new slideshow of more recent photographs made during my 2009-2010 trips, and added details of my planned In Search of Sufis Photo~Expedition™, which will be the first scheduled for 2011.

It's well on its way to being sold out, as I am restricting it to only 5 photographers.

The In Search of Sufis Photo~Expedition™ is not for first-timers to India, nor is it for photographers expecting choreographed photo-opportunities. This trip will be the quintessential fusion of travel photography and photojournalism, and aims to merge the visual with the intellectual.

It's structured for photographers interested in multimedia story-telling, interested in exploring the existing syncretism between Sufism and Hinduism, interested in documenting traditional ways of life of Gujarati tribal societies, and documenting Sufi rituals that include exorcisms and trances.

2011 Photo~Expedition™: In Search of Gujarat's Sufis

2011 Photo~Expedition™: In Search of Gujarat's Sufis

I've just announced my first photo~expedition™ of 2011, and it'll be once again in Gujarat, but much different in context and objectives than the one I led earlier this year. As I always do, its details are shared to those who subscribe to my newsletter, and after a week or so, I make them public.

It will involve photographing tribal life in western Gujarat, the hijras at the famed Bahucharji temple, document the syncretism between Sufi Islam and Hinduism in various shrines and sacred sites in Gujarat's southern peninsula, and the African Indian Mystics of Gujarat, with their distinctive music and rituals.

This photo~expedition™ is limited to a maximum of 5 photographers, and its details have now been sent to my newsletter recipients.

It promises to be another exciting experience especially as it involves so many off-the-beaten-path documentary opportunities...Sufi and Hindu syncretism, eunuchs, the Indian Sufi mystics, and Gujarat's tribals! Not the faint of heart or for first-timers to India, it's a visual and intellectual itinerary which will offer immense opportunities to self-starters interested in documenting the complexities of conflicting traditions and ways of life in one of the most interesting countries of the world.

First 2011 Photo Expedition

First 2011 Photo Expedition

I'm on my way back to New York from teaching a multimedia class at the Foundry Photojournalism Workshop in Istanbul, and thought it opportune to announce that my first photo~expedition in 2011 will be to Gujarat, India. I have yet to pinpoint the dates, but I am leaning towards January 23 to February 6, 2011.

The Travel Photographer's In Search of Sufis photo~expedition will focus on the visual exploration of the syncretism which exists between Islam (especially Sufism) and Hinduism. Syncretism is the combination of disparate or contrary beliefs, often fusing practices of various traditional philosophies.

This expedition will travel in the southern peninsula of Gujarat, and photograph at the various Sufi shrines/darghas as well as Hindu temples, where a multitude of pilgrims arrive to supplicate. It will also include a foray in the tribal belt of Kutch to document the unaltered ways of life of the area, to include religious rituals exclusive to Gujarat.

The maximum number of participants is 5 (excluding myself), and participation will be based on a brief portfolio review. This photo~expedition is not for first-timers to India, is for self-starters and requires an interest in Indian religious traditions. It will include coaching in multimedia techniques and story-telling.

The photo~expedition will commence and end in Ahmedabad, which is well served by flights from Delhi and Mumbai. Hotel accommodations will range from 4-star hotels in the larger cities/towns to whatever is available in the more remote areas.

Details of the photo~expedition and its itinerary will initially be announced to my newsletter recipients in a few days, and then to the general public via this blog.

This photo~expedition is inspired by the remarkable work of my friend Asim Rafiqui as per his The Idea of India project.

The Travel Photographer's Photo-Expeditions™ 2011

The Travel Photographer's Photo-Expeditions™ 2011

Although I haven't firmed up any decisions yet, I am starting to mull over two (of the possible 3) Photo-Expeditions™ for 2011 that will be non-Arab Islam-centric. The two expeditions' underlying themes will be documenting the existing syncretism between Islam, its Sufi offshoot and another major tradition. The itineraries will include photographing certain rituals at obscure religious sites, as well as at other locations...I can't be more specific at this stage without letting the cat out of the bag.

As followers of my Photo-Expeditions™ news and of this blog know, I've decided to further accentuate the travel-documentary thrust of my photo~expeditions, and reduce the maximum number of participants to only 5 (excluding myself) on each trip.

My recent expeditions have become so popular that they've swelled up to 9-10 participants, and generated long waiting lists. As of 2011, participation will no longer be based on "first registered first in", but will be based on a portfolio viewing and other criteria. Details of the 2011 itineraries will be announced to subscribers to my newsletter mailing list.

In the meantime, I'm readying some pre-departure information for the participants in my Bali: Island of Odalan Photo-Expedition™ due to start August 1. Exciting stuff!!!

POV: Imitation...Flattery or Buggery?

POV: Imitation...Flattery or Buggery?

Photo © Tewfic El-Sawy-All Rights Reserved
The answer? It depends.

This time, I'm not referring to visual plagiarism but to the imitation of style and copying of unimaginative itineraries in the travel photography tours/workshops industry.

Many travel photographers recently awoke to the fact that tours and workshops can add a little something to their bottom line (actually, big and small name photojournalists are doing it as well), and their offerings are all over the internet. Their target market is made up of working and non-working photographers, who seek to build an inventory of images, either to show friends and neighbors, enter and hopefully win competitions, or to sell as stock and to publications.

All this sounds lovely but regrettably, the disease currently afflicting photojournalism seems to have spread into travel photography as well. It's rather disconcerting to see a lack of imagination in many travel photography tours, a frequent "borrowing" of regular tourist itineraries, and the liberal sprinkling of the sentence "photo-shoot" and "wake up at dawn" and similar verbiage in the marketing blurbs, as if that's enough to give legitimacy to the notion that these trips are really tailored for photo enthusiasts.

As regular readers of this blog know, I've swatted off a number of attempts by established travel photographers to either flagrantly filch my itineraries (inclusive of hotel names) or to get a copy of my mailing list for my photo~expeditions, or to join that mailing list to get advance notice of my itineraries. Oh, yes...corporate espionage is alive and well in the travel photography workshop business, but that's par for the course.

Have I consciously imitated any other travel photographers as far as itineraries are concerned? Sure, I may have been inspired by some, but I always avoided cookie-cutter itineraries (excepting Bhutan, where these are based on annual festivals), and I consistently base my itineraries on what and where I want to photograph...not on what and where others want to photograph. And the formula works...with my expeditions often with long waiting lists.

Speaking of inspiration: 24 months ago, I introduced multimedia storytelling tutoring using Soundslides on my photo-expeditions, so I'm chuffed to see others have just started to offer it as well. Soundslides...not SlideShowPro, Final Cut Express or other software choices.

Dwindling viable opportunities, reduced prices for images, tougher competition and increased costs are the reasons many travel photographers cut corners, and look for guidance, inspiration and successful examples to emulate; and as a result, some cross the invisible line and become unimaginative imitators.

So back to my question. Is imitation flattery or buggery? It depends on how the one being imitated actually views it, and what is being copied. Some will consider it a rip-off...others -as I do- consider it the sincerest form of flattery.

You see, it's not buggery unless one is willing to be buggered...but let's also remember, taking without giving back is bad karma.

Ralph Childs: Bali

Ralph Childs: Bali

Photo © Ralph Childs-All Rights Reserved
Photo © Ralph Childs-All Rights Reserved
Although Ralph Childs participated in my photo~expedition to Bali in summer 2007, he's once again joining Bali: Island of Odalan Photo-Expedition™ which I'm organizing and leading this coming August.

Ralph is an active member of the Arlington Camera Club, and his photographs of a Balinese dancer and of a Pemangku (Balinese priest) have both won awards at this month's competition.

He has indulged in a passion for photography since the late 1960s when he took a Minolta ALs camera to France, and he has continued his passion since. Ralph has already been on four of my photo~expeditions, and this coming August will earn the fifth notch on his belt.